“Loneliness in Jersey City”
I’ve been reading “Loneliness in Jersey City” by Wallace
Stevens and thinking about metaphor’s central place when committing acts of
poetry. To enter the poem we must consider its unlikely opening equation: “The
deer and the dachshund are one.” It’s odd, but far from dismissible, more than
passing strange. The stanza continues with a syllogism that never quite
resolves: “Well, the gods grow out of the weather. / The people grow out of the
weather; / The gods grow out of the people. / Encore, encore, encore les dieux
. . .” I imagine Stevens fit to be tied, at the end of his rope, so to speak,
stacking the world into probabilities as he did during his day gig as v.p. of
the Hartford Accident and Indemnity Company. Nothing adds up. No foothold
presents itself. This is not whimsy, but hell for a guy who wrote in “Three
Academic Pieces,” (a Harvard lecture,) of the magic that can happen when
metaphor bridges “things of adequate dignity.” I feel Steven’s isolation
emerging as the poem goes on to surrender its street scene: its darkened
steeple and its all-night immigrant serenades.
I remember a creative writing worksheet from my high school
days. It was designed to help young people avoid clichéd expressions. Instead
of writing “busy as a bee,” it instructed, one should invent a level of
business more like, “as busy as a mustard paddle at a picnic.” I, frankly, fear
the poetry that grows out of such instruction.
-
G.F.A.
I haven't read the Stevens poems yet, but what you say makes me think of Frost's "Acquainted with the Night." I kinda like his syllogism, but haven't really thought it through yet.
ReplyDeleteWhat's a mustard paddle?
Indeed. I'm no young chicken, I can remember the big yellow non-squeezable jar, but a "mustard paddle"?! What tone does that set up? What poem on earth could contain that?
ReplyDelete